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提款机
2015 3.0分 剧情片
  阿乐(关楚耀 饰)、明明(尤凤音 饰)、朱君(黄俊铭 饰)三个大学生对未来抱着希望,奈何现实生活迫人,毕业后每天为钱烦恼。某个晚上,三人巧遇一宗提款机劫案,事后贼人被捕,而提款机却下落不明。三人决定寻找提款机,以解生活所需,但问题是:提款机竟潜藏在郊区的一所老人院内!他们为了钱,混入老人院之中,展开一场八十后青年与八十岁老人的智力斗争!最终,两代人打破隔膜,发现人生除了钱,原来还有更重要的事..
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推动摇篮的手
1992 8.0分 剧情片
  迈克尔(马特·麦考伊 Matt McCoy 饰)和克莱尔(安娜贝拉·莎拉 Annabella Sciorra 饰)共同养育着小女儿艾玛(玛德琳·奇玛 Madeline Zima 饰),日子过得平静而满足。没过多久,又一个小小的生命降临到了克莱尔的腹中,为这个美满的家庭增添了一份幸福。然而,在之后的产检中,克莱尔发现妇产科医生莫顿(约翰·德·兰西 John de Lancie 饰)意图不轨,因..
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接球手间谍
2018 3.0分 剧情片
根据NicholasDawidoff所著传记书《TheCatcherWasASpy:TheMysteriousLifeofMoeBerg》改编,讲述男主角MoeBerg是美国职业棒球大联盟的队员,同时他也在二战期间为美国战略情报局工作,能说九种语言,他被派去阻止德国科学家WernerHeisenberg为纳粹制造原子弹……
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推上断头台
1973 4.0分 剧情片
  因抢劫罪被判十二年徒刑的吉诺(阿兰·德隆饰)刑满出狱,在社工热尔曼(让·加宾Jean Gabin饰)的热心帮助和循循善诱下,他决心痛改前非,重新做人。但信奉“罪犯永远都是罪犯”的警长杰特勒(米歇尔·布盖 Michel Bouquet饰)却仍然不信任他,处处与他作对,最终逼得他走投无路,终于失控杀死了警长杰特勒。经过冷酷、教条的法庭的审讯后,吉诺最终被推上了断头台。  这是一部对专制暴政和断头..
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探长来访
1954 8.0分 剧情片
  Based on a famous stage play and set in the year 1912, an upper crust English family dinner is interrupted by a police inspector who brings news that a girl known to everyone present has died in su..
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接战:甲乙战争
2019 2.0分 剧情片
  직장 상사와의 ‘불쾌 통쾌’한 한 판 승부!  직원들에게 폭풍 갑질을 일삼는 꼰대 of 꼰대 ‘김 회장’  한편, 그의 수행기사 ‘창수’는 뒷좌석에서 쏟아지는  ‘김 회장’의 폭언에 하루하루 시달리는 이 시대의 ‘을’이다  평소처럼 만취한 ‘김 회장’의 갑질 속에서 운전대를 잡는 ‘창수’  하지만 점점 도가 넘는 행동에 오늘만큼은 더 이상 참을 수가 ..
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《西印度群岛》剧情介绍

星空影院提供影视作品西印度群岛高清完整版在线观看,剧情片《西印度群岛》完整版作品的导演是梅德·翁多   ,由Cyril Aventurin  费尔南·贝尔塞  罗兰·伯汀  Gérard Bloncourt  Toto Bissainthe  菲利普·克利夫诺  主演,西印度群岛在豆瓣的评分为4.0,本片由星空影院影视于2025-08-24 03:39更新,希望大家喜欢,可以把《西印度群岛》推荐给你朋友,本作品的地址为 http://www.qdwbyey.com/vdetail/196095.html

《西印度群岛》简介:  It’s winter in France, the light is dull, the camera pans over a snowy wasteland and enters a massive construction of steel and glass that is open at the sides, stopping in front of the reproduction of a wooden ship. The structure that juts out over the upper deck is inscribed with the words ‘Liberté, Égalité, Fraternité’.
  Med Hondo uses this tracking shot to establish the setting of his feature film West Indies ou les nègres marrons de la liberté (1979), while opening up a much larger space to the imagination at the same time. The ship turns out to be a most versatile stage for a grotesque narrative of colonialism, slavery and the struggle for independence in the French West Indies. Med Hondo explores his many themes in this limited space, whether it be the Middle Passage, marronage, abolition or the history of labour migration to France. The film marries an aesthetics of thrift with the flamboyance of a musical; different time periods glide into one other as elegantly as the geographical points of reference; and only occasionally do the actors’ visible exhalations, an alienation effect created by the cold, remind us that West Indies was not shot on Martinique.

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