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不婚大作战
2022 7.0分 剧情片
宝拉的闺蜜乔乔陷入爱河,二人在柏林的疯狂约会冒险因此结束。宝拉于是想尽一切办法破坏她的婚礼。
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不羁的美女
1991 7.0分 剧情片
  弗兰霍夫(米歇尔·皮寇利 Michel Piccoli 饰)是一个功成名就的画家,妻子利兹(简·伯金 Jane Birkin 饰)一直都是他创作的源泉和模特,这也是利兹感到自豪的所在。但是这些年来,弗兰霍夫的创作灵感渐渐枯竭,当他面对着妻子的肖像画时,甚至感到无从下笔。当玛利亚娜(艾曼纽·贝阿 Emmanuelle Béart 饰)经朋友介绍出现在他眼前时,他已经有将近十年没有拿起过画笔了。..
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不止不休
2020 8.0分 剧情片
2003年的中国,社会变革激荡,人们野心勃勃。当时互联网尚未席卷一切,纸媒为王。没钱、没学历、没背景的“三无青年”韩东(白客 饰)怀揣新闻理想与女友小竹(苗苗 饰)开始了北漂生涯,期间在知名记者黄江(张颂文 饰)的帮助下进入报社实习,在一次案件调查中,韩东发现了背后更大的真相。一边是光明的前途,一边是心中的正义,韩东在两难中选择挺身而出……
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不日城
1997 4.0分 剧情片
暂无相关简介。
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不好的好人
1973 2.0分 剧情片
  契诃夫《决斗》改编
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《马丁·弗罗斯特的内心生活》剧情介绍

星空影院提供影视作品马丁·弗罗斯特的内心生活高清完整版在线观看,剧情片《马丁·弗罗斯特的内心生活》完整版作品的导演是保罗·奥斯特   ,由大卫·休里斯  伊莲娜·雅各布  迈克尔·因佩里奥利  索菲·奥斯特  主演,马丁·弗罗斯特的内心生活在豆瓣的评分为2.0,本片由星空影院影视于2025-05-21 11:40更新,希望大家喜欢,可以把《马丁·弗罗斯特的内心生活》推荐给你朋友,本作品的地址为 http://www.qdwbyey.com/vdetail/201115.html

《马丁·弗罗斯特的内心生活》简介:  what motivated me up to the new director's festival to catch 'martin frost' tonight was the brutal review that it got yesterday from the lead critic of the new york times, brutal dismissal, to be more accurate, 'the less said about (it) the better', she said, and i figured that any movie able to teach Ms Dargis the virtue of silence for even a few column inches would be worth the trip.
  and worth the trip it was. we are brought into a paradise of limpidly beautiful visual textures. the oaken rhythms of a country house ensconced in a springtime parkland of luxuriant trees and luminous skies bestow the soothing natural blessing needed by the main character, martin frost (David Thewlis), a writer rubbed raw by the mechanics of finishing a novel in new york city. (Thewlis makes palpable the casualty of intrapsychic machinery sawed into daemonic reverb against the banausic hive). then paradise morphs into purgatory, leavened comedically, in Dante's sense, by the postmodern angelic visitations of Claire (Irene Jacobs) and Anna (Sophie Auster).
  unfortunately, to my taste, the verbal dimensions of the film are flaccid, the logic more fanciful than imaginative, the narrative arc crippled by some irredeemably creaky plotting, especially at the crucial initiation of the relationship between martin and Claire where the seeds of common sense are thrown to the magpies of theatricality.
  but so beguiling is the willful vulnerability of auster's fantasy, and the edgy interplay that it potentiates between Thewlis and Jacobs, and the camera, and later Sophie Auster, and the broad comedy of a rural everyman (Michael Imperioli), that it is very pleasant to be carried along on the visual foam of uncertain sensual delight, eddying into a feeling that this film's oddly louche light touch is uniquely adept at tracing some grave lineaments of the human heart.
  go innocently.

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